2015年12月10日星期四

天津旺达文博展具有限公司-博物馆展柜、文物柜专业定制厂商


天津旺达文博展具有限公司(旺达展柜有限公司) ,专业博物馆展柜与文物柜设计、生产、供应商,位于天津静海经济开发区,占地面积超过15000平方米,其前身为天津市旺达图书设备有限公司(成立于1997年),在原有基础上增资扩建而成,注册资金1000万元,是集博物馆展柜与文物柜研发、设计、生产、制造、安装、售后服务于一体的现代化企业。
作为欧盟博物馆展柜项目合作伙伴、英国博物馆项目合作伙伴、东南亚博物馆项目合作伙伴以及国内国家级及地方博物馆长期合作伙伴,公司专注于博物馆、美术馆、档案馆、图书馆文物保护与展览展示设备的研发和制造,已通过了ISO9001国际质量管理体系认证与ISO14001环保质量体系认证和GB/T28001职业健康安全管理体系认证及技术监督部门的质量标准检验;参与了许多国内外大型项目的建设和国家重点工程,并获得多项荣誉证书,且于2004年获得鲁班奖,并于2006年获得了天津“办公家具十强企业”称号。

公司技术生产制造实力雄厚,拥有优秀的研发设计人员及现代化的生产制作工艺流程,拥有配套齐全的展柜加工数控设备与生产展柜精密机械部件所需的数控精密机床和型材切割设备,拥有氟碳粉末喷涂生产线,公司最新引进了加工精度更高的激光数控机床。公司有一大批熟练的技术工人和高效的管理队伍,对满足用户的各种需求提供了有力的品质保障。

公司作为英国博物馆协会会员、英国博物馆协会国际会员、美国博物馆协会会员、中国博物馆协会会员、北京博物馆学会理事、中国家具协会会员、天津市家具协会理事和中国质量检验协会会员,长年活跃在博物馆展柜行业第一线,一向重视产品的品质和企业的形象;公司全体同仁本着“制造高品质的产品、务实诚信、顾客满意”的企业精神服务于社会,并获得社会各界的认可和赞誉。 我们认为:“只有良好管理才有高品质的产品,只有掌握先进的技术才能制造出符合时代要求的精品。”

对于博物馆展柜事业,我们的追求永无止境,我们的开发研制永远没有终点。

2015年12月9日星期三

All high-end museum display cases for Chung Tai World Museum were finished and delivered

Custom-built for Chung Tai World Museum,the fabrication work for all the high-end museum grade display cases which meet the most critical international criterias were completed punctually with no delay and demountably packaged and shipped out for sea shipment to the museum site.Our installation workers will then arrive there for installation work on site.

Wangda Showcases won the largest tender lot of display cases project for renovated Changsha Municipal museum

Wangda Showcases won the largest tender lot of display cases project for renovated Changsha Municipal museum which is going to display invaluable historical objects related to Mao Zedong,the China founding chairman.The museum will reveal numerous authentic work of poetry and calligraphy by Mao Zedong during his revolution period and also new China period.
WANGDA SHOWCASES WON THE TENDER OF MUSEUM DISPLAY CASES PROJECT FOR RU KLINS PORCELAIN MUSEUM which has much strict and critical standards for anti-bandit safety,air-tightness,anti-explosion performance and also conservational lighting system within museum display cases.

Like Ding ware, Ru ware was produced in North China for imperial use.The Ru kilns were near the Northern Song capital at Kaifeng. In similar fashion toLongquan celadons, Ru pieces have small amounts of iron oxide in their glaze thatoxidize and turn greenish when fired in a reducing atmosphere. Ru wares range in colour from nearly white to a deep robin's egg and often are covered with reddish-brown crackles. The crackles, or "crazing", are caused when the glaze cools and contracts faster than the body, thus having to stretch and ultimately to split. The art historian James Watt comments that the Song dynasty was the first period that viewed crazing as a merit rather than a defect. Moreover, as time went on, the bodies got thinner and thinner, while glazes got thicker, until by the end of the Southern Song the 'green-glaze' was thicker than the body, making it extremely 'fleshy' rather than 'bony,' to use the traditional analogy (see section on Guan ware, below). Too, the glaze tends to drip and pool slightly, leaving it thinner at the top, where the clay peeps through.


Ru Ware Bowl Stand, detail of crazing; V&A FE.1-1970

As with Ding ware, the Song imperial court lost access to the Ru kilns after it fled Kaifeng when the Jurchen-led Jin dynasty conquered northern China, and settled atLin'an (present-day Hangzhou) in the south. There, the Emperor Gaozong founded theGuan yao ('official kilns') right outside the new capital in order to produce imitations of Ru ware.However, posterity has remembered Ru ware as something unmatched by later attempts; Master Gao says, "Compared with Guan yao, the above were of finer substance and more brilliant luster."